It must be considered one of the most lopsided battles in all history-and "battle" probably isn't the best word to describe it. ![]() The Japanese, by contrast, lost only 29 planes. Hundreds of planes were destroyed or damaged. Arizona, which blew up about 15 minutes into the raid, and 17 other ships were either sunk or crippled. Thousands of Americans were killed or wounded. The whole assault lasted about two hours. naval officer on "his first night on his first patrol on his first command" spots a Japanese submarine just hours before the strike when the surprise attack finally does arrive, an excited Japanese commander shouts "Tora! Tora! Tora!" ("Victory!") before even the first bombs have fallen. The Japanese scan Hawaiian radio stations to see if their moves have been detected a U.S. Lord begins by showing how Japanese admirals, three months before their notorious sneak attack, "tested the idea on the game board at the Naval War College." (It didn't go nearly as well there as it did in real life.) Then he proceeds briskly through the preparations for the assault and delivers a minute-by-minute account about those fateful hours in Oahu. Day of Infamy deserves to stand beside that classic as a gripping narrative, and the subject matter, of course, is infinitely more important. Walter Lord is best known for A Night to Remember, his book on the voyage of the Titanic. While this gives the book a human touch evoking strong feelings from the reader, it makes the book interesting to read and is the reason why I agree with the author.There may not be a better book on what happened at Pearl Harbor than Day of Infamy-and it's not as if the Pearl Harbor story has lacked chroniclers. Of importance is the unyielding support by the American people towards their army as well as the bitterness the American citizens held against Japan in the days following the event. He emphasized the varying feelings, thoughts, and personal experiences of those involved in this momentous event. This does not mean that he totally overlooked the political as well as economic implications. Unlike other writers whose works delve into the conspiracy theories surrounding Pearl Harbor, Lord’s major concern was the human element. Therefore, he is able to produce verifiable and reliable facts. Suffice to say that the author also utilizes a number of time-honored investigative methods. Many critics of this book argue that Lord uses eyewitness reports to recreate the events of December 7 1941. Therefore, the combination of surprise attacks and the relaxed manner in which the army reacted are the two major factors that aggravated the events of December 7 1941. By the time the American Army knew what was about to happen, there was little that could have been done to prevent the attacks. Lord not only exposes the failure by the Army Intelligence to decipher crucial leads but also how the decision-making process was impeded by military bureaucracy. The role of army intelligence is also brought into focus. Furthermore, the American Army ignored crucial occurrences, such as the “strange white wave,” a sign that was casually dismissed by senior army officials (Lord 45). The author creates the impression that the Japanese might have employed guerilla tactics not only catching America by surprise but also creating confusion within the American military ranks. However, what captures my attention is the Lord’s ability to juxtapose the element of surprise, under which the attacks were carried, with the nonchalant response by the American Army. The book reveals several important issues. Gradually, the serenity is eroded as the reader begins to experience anxiety and unease as events unfold into a full-blown war. The same intimacy is captured in the first chapter, which emphasizes the beauty of the day and the serene atmosphere inside Pearl Harbor (Lord 7). The Preface is written in simple language and reflects much of the intimacy through which the Lord portrays the events of that day. Following the attack, the then United States of America US President Roosevelt regretted that the event “will live in infamy” (Lord 104). On this day, the Japanese Army staged surprise attacks on Pearl Harbor and left behind colossal collateral damage as well as untold human suffering.
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With the generous contribution of: Lilah Foundation, Matanel Foundation, Asper Foundation, Sagol International Network Safra Campus, Goodman Building starting at 9.30 local time. The BrainForum takes place at the ELSC Auditorium Edmond J. It will be a full immersion into the world of emotions, where there will be room to discuss one of the most controversial emotions, fear, as well as the strong two-way link between emotions and learning, and to shed some light on disorders related to the management of emotions and the understanding of other people’s emotions. Seven world-renowned women scientists will reveal the secrets of of what could be considered a neural tool box useful in many different situations, from mere survival to the social pleasure in taking and sharing a selfie. The first conference of the Emotions tour is organized in collaboration with ELSC- Edmond and Lily Center for Brain Sciences, the Hebrew University of Jerusalem, and is dedicated to Understanding Emotions: they are part of our everyday life, but nevertheless emotions often remain a mystery. The BrainForums will be broadcast in live streaming accessible from this site. Each BrainForum will host from two to six speakers and will be organised in collaboration with prestigious local universities and research institutes. The project involves a series of BrainForums between October 2021 and May 2022, which will take place in various cities: Jerusalem, Genoa, Rome, Lugano, Milan, Geneva, London, Lisbon. Institutional relations are entrusted to Marilena Francese, president of Musadoc. ![]() Bianca Jones Marlin, Zuckerman Institute, Columbia University, have contributed to the development of the project. Daniela Perani, Università Vita-Salute – San Raffaele, Milan, and Dr. Idan Segev of The Hebrew University of Jerusalem Prof. Clara Caverzasio, Co-president of BrainCircleLugano Prof. The symposium was conceived by Viviana Kasam, President of BrainCircleItalia, as part of the projects organized for ELSC, the Edmond and Lily Safra Center for Brain Sciences of the Hebrew University of Jerusalem, in cooperation with EBRI, the Rome-based brain research center established by Rita Levi Montalcini, to whom Emotions is dedicated. Starting with the history of emotions, we shall discuss how they are born and develop in the brain, their role in artistic manifestations, in virtual reality, robotics and embodiment, the influence of gender in the expression of emotions, and the pathologies of emotions from excess to absenceĮMOTIONS is dedicated to Rita Levi-Montalcini, and aims to promote women in science, following the path outlined by the italian nobel Prize Laureate. We feel that the subject of Emotions is particularly interesting for a male audience, given the importance of emotions in enhancing wellbeing and in facing the ongoing cultural change, which requires emotional intelligence for all sexes in all domain of life. The speakers will be all women, but men are warmly invited to attend the conferences. And to discuss the fundamental role of women’s emotional expertise in inclusion, empathy, preservation, sustainability, for solving the challenges of the Third Millennium – from migration to global heating to exploitation of resources and the difficult ethical decisions arising form the new technologies. Reversing the stereotype of women ruled by their emotions and incapable of rationality, the Emotions Itinerant BrainForum has invited brilliant scientists from the most prestigious international universities and institutions to analyse the emotions, considering all their biochemical, genetic, epigenetic, psychological and neurological aspects. ![]() Therefore women, who were believed to be too susceptible to their emotions – were deemed unable to form a “high”, rational thought which was instead reserved to the speculation of men. For centuries emotions have been pitted against reason and located somewhere in between the heart and the gut, totally alien to the brain. I’d maybe like to mimic some of my smart home functionality that I have at home in the office with a Sonos speaker and some Philips Hue bulbs, but that’s always a step in the wrong direction to being more free and mobile. That would be a killer setup, but I’m heavily focused at the moment on being more mobile. If I do continue to use a laptop, I’d like to try the new MacBook paired with the Thunderbolt Display (and some dongle adaptor for thunderbolt to usb c). In fact, we’re working on an app to make this more viable. If I’m honest, I’d like to replace the MacBook Air with the iPad and be more mobile, using screen mirroring to work on bigger displays. I do most of my work on the MacBook Air and iPhone 6 Plus, but all of my personal computer use on the iPad. How would your ideal setup look and function? Probably most important is 1Password - I use it on everything and it is even better now that I can unlock it with Touch ID. Trello for project management and Slack to tie everything together. I find a lot of my day to day is looking over things and either giving feedback to staff members or forwarding on to clients.Īs such, I’ve minimised my Adobe suite down to just Creative Cloud for reviewing and giving feedback on design work. I’ve managed to move a lot of what I do to the cloud so it affords me the freedom to access it anywhere and from any device. ![]() As such, I’ve almost been forced into using the desktop version. Mailbox – the beta is still a bit buggy, but the iOS version is great and has allowed me to better manage my emails and tasks. It’s my dumping cloud all my meeting notes, paperwork, etc. The only time I use something else is TextWrangler as it has great multi-file search and document comparison features (in case you’re listening, Panic).Įvernote – this is where I store everything. Panic’s Coda 2 – I do all my coding on this as it allows me to store all the access details I need to multiple servers, plus sync these details with my iPad and Diet Coda. What software do you use and for what do you use it? I also use a Chromecast to cast Trello to a TV in my office so I can see a general overview at all times.
Pet-raising simulations often lack a victory condition or challenge, and can be classified as software toys. Since the computing power is more powerful than with webpage or gadget based digital pets, these are usually able to achieve a higher level of visual effects and interactivity. Such games are described as a sub-class of life simulation game. There are many video games that focus on the care, raising, breeding or exhibition of simulated animals. Other simulation sites focus mostly on the markings. Often these sites will also have a breeding aspect, including genetics and markings. There are also "simulation sites" where the webpage attempts to simulate a real-life discipline, such as horse dressage or pedigree dog showing. These sites, and their clones, have a single non-dynamic image for each pet and its various colors, leading to a lot of similarity in the pets. Some quests can give stat points to the user's pets for when they are battling. Some sites use quests in order for users to make points and receive items. Sometimes they have a setup for breeding one's pets and then adopting them out. They often require the adoptee to have a page ready for their pet. ![]() ![]() Some sites adopt out pets to put on a webpage and use for role-playing in chat rooms. One large branch of virtual pet games are sim horse games. In these worlds, a user can play games to earn virtual money which is usually spent on items and food for pets. They can be accessed through web browsers and often include a virtual community, such as Neopia in Neopets. Virtual pet sites are usually free to play for all who sign up. Unlike biological simulations, the pet does not usually reproduce. ĭigital pets can be simulations of real animals, as in the Petz series, or fantasy ones, like the Tamagotchi or Digimon series. Daily interaction is required in the form of playing games, virtual petting, providing love and acknowledgment can help keep your virtual pet happy and growing healthy. Some digital pets require more than just food to keep them alive. Keeping the pet alive and growing often requires feeding, grooming and playing with the pet. ![]() If it is, then the user must keep it alive as long as possible and often help it to grow into higher forms. Interaction with virtual pets may or may not be goal oriented. ĭigital pets have no concrete physical form other than the hardware they run on. Cyberpet and Tamagotchi were some of the first popular digital pets. ![]() People may keep a digital pet in lieu of a real pet. They are usually kept for companionship or enjoyment. This robust amenity package is unrivaled in the 55+ market on the East Coast, where Traditions of America is the dominant 55+ builder, and 2022 winner of NAHB's 55+ Builder of the Year.ĭesigned in collaboration with KTGY Architecture & Planning of Irvine, California, the newly-envisioned Clubhouse represents an all-new look with a mix of two siding colors, transom windows, interior millwork, accent lighting specific to unique gathering areas, elegant archways, and textured vertical feature walls for sensorial interest.A virtual pet (also known as a digital pet, artificial pet, or pet-raising simulation) is a type of artificial human companion. With a dedicated, full-time Lifestyle Director, Traditions of America residents benefit from a comprehensive social calendar of activities, clubs, and organized trips. No detail was overlooked in the 8,000 square foot Clubhouse, which is fully-loaded with a heated outdoor pool and spa, tennis and pickleball courts, fitness center, yoga studio, sports bar and lounge, putting green, billiards, wine tasting room, golf simulator, dog grooming room, coffee lounge, outdoor grilling area, and club room. The Clubhouse - Traditions of America at West BrandywineĪt a recent Clubhouse Grand Opening at the Traditions of America at West Brandywine community in Chester County, Pennsylvania, the impressive Clubhouse complex was debuted to residents and customers.
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Theme Time Radio Hour‘s final episode aired on April 15, 2009, and though the program enjoyed a lengthy lifespan on satellite radio in the form of repeats, it was eventually dropped from the digital airwaves. Covering topics from smoking to presidents, Bob served as curator, educator, philosopher and comedian in our journey through his vast collection of recordings, including some secret gems that had been all-but-lost to us. Theme Time Radio Hour, hosted by Bob Dylan, included both the most well-known and ultra-rare musical testimonies to the assorted concepts to form a thematic narrative through our collective consciousness. ![]() The exhibition was produced together with Kunstforum Vienna.On May 3, 2006, satellite radio listeners tuned in to the sultry growl of a living legend who took them on a thematic journey through musical history. ![]() The retrospective is being produced in close cooperation with the artist’s family and with the Kunstmuseum Bern, home of the Meret Oppenheim Archive, which owns in the artist's legacy the most important collection of Meret Oppenheim's works. Shortly before her death, she became a member of the Berlin Academy of the Arts. In the same year, she participated in documenta 7. In 1982, Meret Oppenheim was honoured with the Art Prize of the City of Berlin. You never know where the ideas come from: they bring their form with them just as Athena sprang out of the head of Zeus, helmeted and armoured, thus do the ideas emerge with their apparel.” Starting out from her much appraised early work in the circle of the surrealists and proceeding to her less well-known poetic late work, the exhibition will show not only drawings, paintings, objects and collages, but also her writings and dream notations as well as her humorous and fantastical jewellery, dress and other designs. Following Oppenheim's artistic method, who kept returning to specific motifs over long periods of time and subjected them to new treatment, the show runs a course through the ever-densifying themes in a cross-section of the artist's creative periods: magic objects, dream scenes and myths, depictions of the invisible, cadavre-exquis and play as an artistic method, the search for identity, metamorphoses between the sexes, between human being and animal, nature and civilization. The exhibition will show the whole spectrum of Meret Oppenheim’s oeuvre, which in its independence and diversity is still a pioneering force even today. Her emancipatory, non-conformist attitude and her critical approach to social stereotyping and allotted gender roles made her a central identification figure for following generations of women artists. “Freedom isn’t given to you – you have to take it”, Oppenheim summed up her position in 1975. Language, myths, games and dreams served her purpose as impetus just as literary sources and the psychoanalysis of C.G. The artist dispensed with uniformity or recognisability in favour of experimental joyfulness which enabled her to transcend the confines of an artistic style, a genre or a linear development. The reception of Meret Oppenheim’s extremely diverse oeuvre, influenced by experimentation and upheavals, metamorphoses and the “dream-like”, has not always been easy. This was the first record released on Metal Blade Records. The New Heavy Metal Revue Presents Metal Massacre Hit the Lights" - Metallica (Listed as Mettallica) (4:25) LP: 1984 (Metal Blade ?) ĭeath of the Sun - Cirith Ungol (3:56).The only other album you'll find released on Liquid Flame records is Falcon S/T CD, this is because Rob Garven is the drummer for Falcon. The Liquid Flame LF001 is their self release. Liquid Flame is Cirith Ungol's label, they created it so they could put there LP out. this is where the HM13666 number comes from. If you hold the vinyl at the right angle in the light you can see it impressed or etched into the run off at the end of each side. But it doesn't matter - 80 or 81 - it's great album and that's important!Ī runoff matrix is the # on the vinyl next to the label. I dunno, 1981 is probably corrects since thats what is written on your LP. ![]() Originally released by Cirith Ungol on Liquid Flames Records in 1980, the album was re-released in 1981 by Enigma Records There’s a mailing list as well (to "fill out and return to be placed on Cirith Ungol’s International List") with adress: I don’t find any mention of Enigma, only Liquid Flame Records. HM13666, isn't that the catalogue number for the Enigma edition? Have read both years multiple places though. Released on Liquid Flame Records somewhere between that. I got this vinyl from Liquid Flame Records, but the year is 1981 (HM13666)!? LP: 1980 US (Liquid Flame Records LF001).Witchdance and Bite of the Worm is available on Servants of Chaos. The original song has can be heard at Matt Baker's The Cirith Ungol Legion MySpace group. The picture is of the licence plate for Rob's own Ferrarri. High Speed Love has been re-recorded and released by Falcon on Falcon in 2004. On "We Know You’re Out There", a track about alien invasion. Recording vocals for a Cirith Ungol song was a "duet" with Neal Beattie Although not a trained singer,īaker boasted a unique screaching style all his own. With no suitable singer in sight or earshot, friend and roadie We Know You're Out There is also not exactly rare, as it has been available for listen for long time on the bands MySpace-site.Route 666 has been re-recorded and released by Falcon on Falcon in 2004.Show You All has been re-recorded and released by Falcon on Die Wontcha in 2008.We sent the cassette out to a lot of record companies, but I think they were all looking for another Van Halen at that time, so we decided to release an album ourselves. “Bite of the Worm” and “Witchdance” from that cassette are on “Servants Of Chaos”. We recorded a 12 track demo cassette (the “Orange Album”) in 1979, which we sold locally and at shows. Sung by exiting Neal Beattie and entering Tim Baker and "High Speed Some of the tunes on the orange cassette included "Show YouĪll" sung by Rob, "Route 666" sung by Greg, "We Know You’re Out There" The cassette demo "album" had an orange cover, and it was distributedĪt gigs. Limited to a few hundred copies.Īrmed with their own Dokorder reel-to-reel 4 track recorder,Ĭirith Ungol whapped out a tape chock full of their blistering tunes. ![]() Wrote an autobiography about his time with Savage Grace, titled “Christian Logue’s Savage Grace Diary – My Life Leading the Greatest Heavy Metal Band You Probably Never Heard of.” receives: $19.95Īdd a note: Christian Logue’s Savage Grace DiaryĪ cassette demo known as "Orange Album", "Orange Demo", "Orange Label" or simply as "Album". He also reportedly runs a porn production company, and is currently using the Savage Grace website to attempt to recruit young women to supposedly keep him company. He later allegedly opened a clinic in the Caribbean claiming to treat cancer patients under that same identity, using unproven alternative treatments. He was arrested in 2005 for practicing quack medicine without a license under a false identity. 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Offensive success was difficult to come by in the first half of the second period, with the crossbar taking abuse from both teams. The SSU shooter tried to lure May to one side, but the Wolverine netminder stood her ground and corralled the shot to maintain the 2-1 U-M lead after one period. After Sonoma State scored at 3:01, it looked as though a tie game was eminent when the Seawolves earned a five-meter penalty with all zeros on the clock. She hit the twine again just over a minute later to put the Maize and Blue up by a pair of scores. Mantel was the first to find daylight, sending in a blast from the perimeter 1:43 into the contest. Michigan began the game by patiently working the ball around the offensive zone in hopes of finding a hole in the Seawolves' defense. In the cage, senior/junior Brittany May (Santa Barbara, Calif./Santa Barbara) stopped 10 shots in 24 minutes of work. 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John's and Boston College in double-headers respectively. The Hoyas continue their BIG EAST Conference play on Saturday and Sunday (3/24-25) as they host both St. He finished the game allowing three hits but no runs in 2.2 innings. Vankoski sealed the victory closing the ninth earning his first victory of the season. GU rallied for five more runs in the eighth including a two-out two-RBI double by Michael Lombardi to take a 12-7 advantage. Eric Santana (Sr., Santurce, P.R./Edgewood) walked to lead off the inning and scored on a Marc Carlini single. After Vankoski closed the seventh the Hoyas tied the ballgame at 7-7 in the bottom half of the inning. O'Connor allowed two runs on two hits in 2.2 innings pitched. The lead lasted just one inning as relief pitcher Tom O'Connor (Fr., Philadelphia, Pa./La Salle) gave up two runs in the top of the seventh before being replaced by Jim Vankoski. Georgetown added three more runs in the fifth taking advantage of two hits, a sacrifice fly, and an error to claim their first lead of the game at 6-5. Rightfielder Marc Carlini (Sr., Alexandria, Va./Episcopal) scored the second run on a sacrifice fly by Tony Lee (So., Bromall, Pa./Malvern Prep). Sophomore Robert O'Hare (San Jose, Calif./Mission College) led off with a single and scored on Ron Cano's (Fr., El Segundo, Calif./El Segundo) double with one out. GU climbed to within two runs as they scored two in the bottom of the fourth. ![]() Sutton struck out two, walked two, and allowed five runs (3 ER) in 3.2 innings. LIU regained the lead scoring one in the top of the third and then extending their lead to 5-1 in the fourth including a homerun by Matt Early chasing Hoyas starter Eric Sutton (Deerfield Beach, Fla./Deerfield Beach) from the game. Georgetown responded in the latter half of the inning tying the game at 1-1 when Jason Boice (So., Glastonbury, Conn./Glastonbury) scored on Jim Vankoski's sacrifice fly. Long Island jumped out to an early 1-0 lead as the Blackbirds Nick Burzynski drove the opening pitch for a homerun. GU, after starting the season 0-7, is 6-6 in the month of March. Anthony's) three RBI's and relief pitcher Jim Vankoski's (Sr., Aston, Pa./Strath Haven) 2.2 scoreless innings pitched to close the game the Hoyas improved to 6-13 on the season. Led by freshman Michael Lombardi's (Brookhaven, N.Y./St. The Georgetown University Baseball team picked up it's second consecutive win on Tuesday (3/20) and third in four games with a 12-7 victory over Long Island University in Bethesda, MD. |
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